The Year's Best Science Fiction, Ninth Annual Collection

June 15, 1992
While generally sound, this collection is badly in need of a trimming. It is hard to see, for example, why Dozois thought to include Geoffrey A. Landis's uninspired throwback to the time when manned lunar landings were still the stuff of science fiction. And Dozois's breathless introductions to these 28 stories are annoying distractions. Still, there is more than enough material here with real merit. Outstanding are Nancy Kress's story about children genetically altered to require no sleep and Connie Willis's chillingly restrained tale of an ancient evil haunting the rubble-strewn streets of World War II London. Gregory Benford finds a new world at the intersection of particle physics and Eastern mysticism. Unsurprisingly, computers appear frequently in these pages but, in what may be a telling example of the late Isaac Asimov's benign influence, they pose no threat to humans--none, that is, beyond their ability to capture our sympathy, as they do in Chris Beckett's tale of an Italian macchina , or robot, and our love, as illustrated by Mark L. Van Name and Pat Murphy's customized Home Information and Appliance Network.

Starred review from July 3, 1995
Dozois's Year's Best, like any successful representative of a large constituency, sometimes suffers from blandness and inconsistency. As usual, it's oversized--23 stories, nearly 600 pages--and includes a variety of types of SF as well as near-horror, fantasy and humor. Five of the stories are final nominees for Nebulas, and two new ``Hainish'' stories by Ursula LeGuin were nominated for Tiptree Awards; ``The Matter of Segrri'' won. No story here is less than competent and professional; but, with a few exceptions, there is a voiceless sameness in the writing, practically a house style, that over so many pages grows tedious. (Nearly half the stories, by page count, come from the Dozois-edited Asimov's Science Fiction.) A number are flawed (``hard'' SF stories about ``aliens'' that think just like humans) or unremarkable, but these are outweighed by many fine pieces and by standouts such as LeGuin's ``Forgiveness Day,'' perhaps the best story in the book; Eliot Fintushel's ``New Wave''-like ``Ylem''; William Sanders's ``Going After Old Man Alabama'' and Terry Bisson's ``The Hole in the Hole,'' both of which are winning and funny; Katherine Kerr's chilling ``Asylum''; and Michael Bishop's grand and humane ``Cri de Coeur.'' Dozois's intelligently and ably put-together anthology does its stated job as well as any one book or editor could. Even with competition, it would still be the best of the Best.

June 1, 1992
Once again, Dozois sets the standard for best-of-the-year anthologies. These 28 stories represent writers at every stage of their careers, from old pro Robert Silverberg's polished maturity on down to new craftspersons like Kathe Koja and Paul J. McAuley. They also represent just about every approach to science fiction that is capable of yielding good short fiction. Dozois brings to both his editing and his summary of the year 1991 a distinct bias in favor of literary sf, but he has chosen well, raising issues of concern to anyone thinking about the field's ability to cope with an explosively changing world. As usual (it has come to seem), if a collection can afford no other sf anthology this year, it should try to manage Dozois'. ((Reviewed June 1, 1992))(Reprinted with permission of Booklist, copyright 1992, American Library Association.)