The Girl Who Fell from the Sky

October 19, 2009
Durrow's debut draws from her own upbringing as the brown-skinned, blue-eyed daughter of a Danish woman and a black G.I. to create Rachel Morse, a young girl with an identical heritage growing up in the early 1980s. After a devastating family tragedy in Chicago with Rachel the only survivor, she goes to live with the paternal grandmother she's never met, in a decidedly black neighborhood in Portland, Ore. Suddenly, at 11, Rachel is in a world that demands her to be either white or black. As she struggles with her grief and the haunting, yet-to-be-revealed truth of the tragedy, her appearance and intelligence place her under constant scrutiny. Laronne, Rachel's deceased mother's employer, and Brick, a young boy who witnessed the tragedy and because of his personal misfortunes is drawn into Rachel's world, help piece together the puzzle of Rachel's family. Taut prose, a controversial conclusion and the thoughtful reflection on racism and racial identity resonate without treading into political or even overtly specific agenda waters, as the story succeeds as both a modern coming-of-age and relevant social commentary.

October 15, 2009
Durrow's first novel, inspired by a real event, won the 2008 Bellwether Prize for best fiction manuscript addressing issues of social justice. The young protagonist, Rachel, is the only survivor after her mother apparently threw her and her two siblings from a roof and then jumped to her own death. Like a good mystery, this book builds to the startling revelation of what really happened and why a loving mother would kill her children. But there's much more, and if the novel has a weakness, it's that it oozes conflict. Rachel, who is biracial, is abandoned by her father; a boy who witnesses the rooftop incident has his own difficulties, including a neglectful mother who's also a prostitute. But one can't help but be drawn in by these characters and by the novel's exploration of race and identity. VERDICT With similar themes to Zadie Smith's "White Teeth" and a tone of desolation and dislocation like Graham Swift's "Waterland" and Jean Rhys's "Wide Sargasso Sea", this is also recommended for readers intrigued by the psychology behind shocking headlines.Evelyn Beck, Piedmont Technical Coll., Greenwood, SC

Copyright 2009 Library Journal, LLC Used with permission.

October 15, 2009
The grim, penetratingly observed story of a half-black teen and her struggles with racial identity in 1980s America.

Rachel is the daughter of a Danish woman and an African-American GI. When the marriage fails, in part because of lingering damage from an accident that took place before Rachel's birth and of which she knows nothing, her mother takes Rachel and two younger siblings to live in Chicago. But the odds are stacked against a single mom rearing three small children in poverty while dealing with her alcoholism and an abusive boyfriend. The family's troubles are exacerbated to the point of disaster by the fact that the bewildered Mor ("that's mom in Danish," Rachel explains) doesn't really grasp the implications of her children's ambiguous racial status and is not prepared to deal on their behalf with prevailing American notions of what race is. After a horrific tragedy, Rachel goes to live with her paternal grandmother in Portland, Ore., where she is for the first time immersed in black culture and thinks of herself as being contained by, or constrained by, racial categories, prejudices and expectations. Interlaced with Rachel's story is that of her Chicago neighbor Brick, son of a woman who prostitutes herself for drugs. He witnessed the awful incident that nearly ended Rachel's life and in the aftermath became the unlikely keeper of a family secret. After years roaming the country as a runaway, he lands in Portland and happens upon Rachel in a coincidence not, perhaps, quite earned. Nonetheless, Durrow's debut won the 2008 Bellwether Prize for a fiction manuscript addressing issues of social justice.

Nothing especially groundbreaking here, but the author examines familiar issues of racial identity and racism with a subtle and unflinching eye.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from February 1, 2010
When we are in pain or danger, we hold our breath and move with caution, which is how Durrows measured and sorrowful debut novel unfolds. Rachel has yet to get the hang of the American hierarchy of skin color when she arrives in Portland, Oregon, to live with her fathers mother and sister. Although considered black like her father, she is light-skinned-ed and has blue eyes, thanks to her Danish mother, whose shock and despair over the racism confronting her children after they moved from Europe to Chicago contributed to a mysterious tragedy only Rachel survived. Smart, disciplined, and self-possessed, Rachel endures her confounding new life, coming into her own as she comes of age. Meanwhile Jamie, the neglected son of a prostitute and the only witness to the Chicago catastrophe, has an even rougher time. Durrow fits a striking cast of characters and an almost overwhelming sequence of traumas into this compact and insightful family saga of the toxicity of racism and the forging of the self. As the child of an African American father and a Danish mother, Durrow brings piercing authenticity to this provocative tale, winner of the Bellwether Prize for Fiction.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)