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Notes from an Apocalypse

A Personal Journey to the End of the World and Back

Audiobook
1 of 1 copy available
1 of 1 copy available
"Harrowing, tender-hearted, and funny as hell" —Jenny Offill
“Fascinating…Oddly uplifting” —The Economist
"Smart, funny, irreverent, and philosophically rich" —Wall Street Journal
By the author of the award-winning To Be a Machine, an absorbing, deeply felt book about our anxious present tense—and coming to grips with the future

We're alive in a time of worst-case scenarios: The weather has gone uncanny. Old postwar alliances are crumbling. A pandemic draws our global community to a halt.  Everywhere you look there's an omen, a joke whose punchline is the end of the world. How is a person supposed to live in the shadow of such a grim future? What does it mean to have children—nothing if not an act of hope—in such unsettled times? What might it be like to live through the worst? And what on Earth is anybody doing about it?
Dublin-based writer Mark O'Connell is consumed by these questions—and, as the father of two young children himself, he finds them increasingly urgent. In Notes from an Apocalypse, he crosses the globe in pursuit of answers. He tours survival bunkers in South Dakota. He ventures to New Zealand, a favored retreat of billionaires banking on civilization's collapse. He engages with would-be Mars colonists, preppers, right-wing conspiracists. And he bears witness to those places, like Chernobyl, that the future has already visited—real-life portraits of the end of the world as we know it. In doing so, he comes to a resolution, while offering readers a unique window into our contemporary imagination.
Both investigative and deeply personal, Notes from an Apocalypse is an affecting, humorous, and surprisingly hopeful meditation on our present moment. With insight, humanity, and wit, O'Connell leaves you to wonder: What if the end of the world isn't the end of the world?
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    • AudioFile Magazine
      When is the world going to end, and what are we going to do about it? Irish-born author and narrator Mark O'Connell acts as our guide on this informative, disturbing, yet often laugh-out-loud tour of places and personalities that have invested in a dire future. From hanging out with conspiracy theorists to visiting abandoned missile silos turned into upscale hideaways in South Dakota to following billionaires to their secret lairs in New Zealand and taking an eerie trip to Chernobyl, O'Connell voices a sense of curiosity at how individuals and institutions are preparing for a future full of disasters. O'Connell's voice softens when he considers his family's future and realizes the most human thing he can offer is hope. B.P. © AudioFile 2020, Portland, Maine
    • Publisher's Weekly

      December 23, 2019
      The end of the world portends right-wing vigilantism and left-wing nihilism, according to this bleakly comic tour of doomsday ideologies. Consumed by fears of climate change and beset by self-criticism—“my footprint is as broad and deep and indelible as my guilt”—journalist O’Connell (To Be a Machine) surveys several strands of apocalyptic foreboding. He treats the reactionary, survivalist varieties—including American doomsday preppers stockpiling food and ammo in anticipation of urban rioters, a real-estate developer peddling bunkers on a former South Dakota military base, and Mars-colonization enthusiasts who fondly invoke white settlers’ colonization of the U.S.—as pathological expressions of social paranoia, toxic patriarchy, and outright “fascism,” and makes clear that his sympathies lie more with progressive doomsayers. On a camping trip with deep ecology pessimists who refute the “myth” that humans are “fundamentally distinct” from nature and welcome the climate change–induced collapse of civilization, O’Connell communes with grass and sky and finds talk of human extinction “strangely cheerful.” Readers who agree that the U.S. is “a rapidly metastasizing tumor of inequality, hyper-militarism, racism, surveillance, and... terminal-stage capitalism” will be equally terrified and bemused by O’Connell’s musings, while those who are less credulous about narratives of ecological apocalypse will find much to dispute. The result is a wryly humorous if somewhat overwrought rumination that’s more a symptom than a diagnosis of Western civilization’s apocalyptic discontents.

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