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The Swerve

How the World Became Modern

Audiobook
0 of 1 copy available
Wait time: About 4 weeks
0 of 1 copy available
Wait time: About 4 weeks
Renowned historian Stephen Greenblatt's works shoot to the top of the New York Times best-seller list. With The Swerve, Greenblatt transports listeners to the dawn of the Renaissance and chronicles the life of an intrepid book lover who rescued the Roman philosophical text On the Nature of Things from certain oblivion. "More wonderfully illuminating Renaissance history from a master scholar and historian."-Kirkus Reviews, starred review
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    • AudioFile Magazine
      For those who love audiobooks regardless of genre or subject, this illuminating history of the loss, preservation, and rediscovery of ancient books will be one of the year's memorable listening experiences. Written for a general audience, Stephen Greenblatt's narrative is a model of classical grace and clarity, and demonstrates how superior authorship can breathe life and immediacy into the most arcane of subjects. Narrated with equal grace and command by Edoardo Ballerini, the history of the book attains added dimension in audio. The listener cannot help but compare today's slim devices to the precarious history of books, handwritten, preserved often in single copies in monasteries, many--most--lost or destroyed after centuries of war and neglect. Ballerini is a gifted reader, attuned to every nuance and inflection of the prose. You feel at every moment that his is the perfect rendering for this word, this sentence, this book. D.A.W. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine
    • Library Journal

      February 15, 2012
      Roughly 600 years ago, book hunter Poggio Bracciolini happened upon a "lost" copy of "On the Nature of Things" ("De Rerum Natura"), a poem by Lucretius. It postulated that the world is made up of nature (atoms) and that religion is harmful and damaging to human life. Bracciolini had the manuscript copied and widely distributed. Some believe that this poem caused the world to swerve and change philosophical direction, thus beginning the Renaissance. VERDICT Whether one poem could be so influential is questionable. In addition to this overzealous history, book lovers are rewarded with brilliant descriptions of the history of books, libraries, and fascinating detail about manuscript production. Narrator Edoardo Ballerini's rather professorial presentation gives listeners the sense of participating in a one-sided lecture. ["Greenblatt's masterful account transcends (Bracciolini's) significant discovery," read the review of the National Book Award-winning Norton hc, "LJ" 6/15/11.--Ed.]--Susan Baird, formerly with Oak Lawn P.L., Chicago

      Copyright 2012 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      Starred review from June 20, 2011
      In this gloriously learned page-turner, both biography and intellectual history, Harvard Shakespearean scholar Greenblatt (Will in the World) turns his attention to the front end of the Renaissance as the origin of Western culture's foundation: the free questioning of truth. It hinges on the recovery of an ancient philosophical Latin text that had been neglected for a thousand years. In the winter of 1417 Italian oddball humanist, smutty humorist, and apostolic secretary Poggio Bracciolini stumbled on Lucretius' De rerum natura. In an obscure monastery in southern Germany lay the recovery of a philosophy free of superstition and dogma. Lucretius' "On the Nature of Things" harked back to the mostly lost works of Greek philosophers known as atomists. Lucretius himself was essentially an Epicurean who saw the restrained seeking of pleasure as the highest good. Poggio's chance finding lay what Greenblatt, following Lucretius himself, terms a historic swerve of massive proportions, propagated by such seminal and often heretical truth tellers as Machiavelli, Giordano Bruno, and Montaigne. We even learn the history of the bookwormâa real entity and one of the enemies of ancient written-cultural transmission. Nearly 70 pages of notes and bibliography do nothing to spoil the fun of Greenblatt's marvelous tale. 16 pages of color illus.

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