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The Year's Best Science Fiction, First Annual Collection

ebook
1 of 1 copy available
1 of 1 copy available

This collection launched the popular and long-running "The Year's Best Science Fiction" series:
Fantastic Science Fiction!
The Year's Best — And Biggest Collection
Here's the cream of the crop: short stories, novelettes, novellas by science fiction writers already famous and awarded for their high-quality work in science fiction. Writers like:
Poul Anderson
Joe Haldeman
Tanith Lee
George R.R. Martin
Robert Silverberg
James Tiptree, Jr.
Vernor Vinge
Gene Wolfe
Plus writers who are newer to the field, but just as excellent! These are the stories that will vie for the Hugo and Nebula Awards this year. And we've got them all! Not ten. Not twenty. 25 GREAT SF TALES.
Each one is chosen by renowned SF writer and editor Gardner R. Dozois. Among them are "Black Air" by Kim Stanley Robinson, "Blood Music" and "Hardfought" by Greg Bear, "Blind Shemmy" by Jack Dann, "Cicada Queen" by Bruce Sterling and "Slow Birds" by Ian Watson.

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    • Publisher's Weekly

      Starred review from July 3, 1995
      Dozois's Year's Best, like any successful representative of a large constituency, sometimes suffers from blandness and inconsistency. As usual, it's oversized--23 stories, nearly 600 pages--and includes a variety of types of SF as well as near-horror, fantasy and humor. Five of the stories are final nominees for Nebulas, and two new ``Hainish'' stories by Ursula LeGuin were nominated for Tiptree Awards; ``The Matter of Segrri'' won. No story here is less than competent and professional; but, with a few exceptions, there is a voiceless sameness in the writing, practically a house style, that over so many pages grows tedious. (Nearly half the stories, by page count, come from the Dozois-edited Asimov's Science Fiction.) A number are flawed (``hard'' SF stories about ``aliens'' that think just like humans) or unremarkable, but these are outweighed by many fine pieces and by standouts such as LeGuin's ``Forgiveness Day,'' perhaps the best story in the book; Eliot Fintushel's ``New Wave''-like ``Ylem''; William Sanders's ``Going After Old Man Alabama'' and Terry Bisson's ``The Hole in the Hole,'' both of which are winning and funny; Katherine Kerr's chilling ``Asylum''; and Michael Bishop's grand and humane ``Cri de Coeur.'' Dozois's intelligently and ably put-together anthology does its stated job as well as any one book or editor could. Even with competition, it would still be the best of the Best.

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  • English

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