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What You Want

Poems

ebook
1 of 1 copy available
1 of 1 copy available

National Book Award finalist Maureen N. McLane stuns with a precise, perceptive book of poetic meditations.
In her first book of poems since the scintillating More Anon: Selected Poems, Maureen N. McLane offers a bravura, trenchant sounding out of inner and outer weathers. What You Want is a book of core landscapes, mindscapes, and shifting moods. Meditative, lyrical, alert to seasons and pressures on our shared life, McLane registers and shapes an ambient unease. Whether skying with John Constable or walking on wintry paths in our precarious republic, the poet channels what Wordsworth called "moods of my own mind" while she scans for our common horizon.
Here are poems filled with gulls and harbors, blinking red lights and empty lobster traps, beach roses and rumored sharks, eels and crows, wind turbines and superhighways. From Sappho to the Luminist painter Fitz Henry Lane, from constellations to microplastics, What You Want is a book alive to the cosmos as well as to our moment, with its many vexations and intermittent illuminations.
In poems of powerful command and delicate invitation, moving from swift notations to sustained sequences, this collection sees McLane testing what (if anything) might "outlast the coming heat." And meanwhile, "There's no end / to beauty and shit."

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    • Publisher's Weekly

      Starred review from May 22, 2023
      Facing threats of environmental collapse and her own mortality, McLane (Some Say) pushes on the boundaries of selfhood in her enlightening offering. The collection begins by setting the scene: a seemingly hopeless present in which “the sealed-in elect to survive” and “the drowners to drown.” In the poem “Self-Reliance,” McLane probes the contradictions and limits of the concept, utilizing her texting software’s auto-correct feature to gesture at the slippages between the voice of the self and a larger, more varied community of intelligences: “My preferred pronouns/ are we and we and I// sink into the self/ at my risk. Our/ s. O dialectic!” Challenging narratives that center the individual at the expense of the collective, McLane imagines a world where “anyone could walk in/ my mind.” Later pieces incorporate overheard speech to approximate what such openness might feel like, and the final lines of the collection gesture toward hope through radical listening: “I haven’t given up/ yet! we haven’t!/ The connectivity is good!/ Today every conversation/ found an open channel.” With humor and insight, this points the way toward a more humane and expansive understanding.

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Languages

  • English

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