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Tomorrow Perhaps the Future

Writers, Outsiders, and the Spanish Civil War

Audiobook
1 of 1 copy available
1 of 1 copy available
A NEW YORKER BEST BOOK OF THE YEAR • An extraordinary account of the women artists and activists whose determination to live—and to create—with courage and conviction took them as far as the Spanish Civil War
“Now, as certainly as never before, we are determined or compelled, to take sides.” —Nancy Cunard

An attempted insurrection, a country divided, a democracy threatened. It was the Spanish Civil War of 1936, surprisingly, that Sarah Watling found herself drawn to when confounded by the tumultuous politics of our present day. This was a conflict that galvanized tens of thousands of volunteers from around the world to join the fight. For them, the choice seemed clear: either you were for fascism or you were against it.
Seeking to understand how they knew that the moment to act had arrived, Watling sifts through archives for lost journals, letters, and manifestos, discovering a trove of work by writers and outsiders who had often been relegated to the shadows of famous men like Ernest Hemingway and George Orwell. She encounters the rookie journalist Martha Gellhorn coming into her own in Spain and the radical writer Josephine Herbst questioning her political allegiances. She finds the novelist Sylvia Townsend Warner embracing a freedom in Barcelona that was impossible for queer women back at home in England and, by contrast, Virginia Woolf struggling to keep the war out of her life, honing her intellectual position as she did so. She tracks down the stories of Gerda Taro, a Jewish photographer whose work had long been misattributed, and Salaria Kea, a nurse from Harlem who saw the war as a chance to combat the prejudice she experienced as a woman of color. Here were individuals seizing an opportunity to oppose the forces that frightened them.
From a variety of backgrounds and beliefs, these women saw history coming, and they went out to meet it. Yet the reality was far from simple. When does tolerance become apathy? Where is the line between solidarity and appropriation? Is writing about the revolution the same as actively participating in it? With profound, personal insight, Watling reveals that their answers are as relevant today as they were then.
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    • Publisher's Weekly

      Starred review from May 22, 2023
      In this brilliantly conceived study, historian Watling (The Olivier Sisters) spotlights international writers, artists, and activists who opposed the fascist takeover of Spain in the 1930s, arguing that the conflict drew in individuals who conceived of themselves as outside the mainstream. Watling sees the Spanish Civil War as a flash point when “people from all walks of life,” and especially artists, understood the conflict “as a question, a provocation that demanded an answer,” which as outsiders they were primed to provide. Watling’s most prominent profile subjects are women—Nancy Cunard, Martha Gellhorn, Josephine Herbst, and Sylvia Townsend are among the most well-known. Other memorable outsiders include Jewish photojournalist Gerda Taro, who documented the plight of Spanish refugees with fellow photographer Robert Capa before she was killed in action, and African American nurse and memoirist Salaria Kea, whose dedicated service at a hospital outside Madrid “reawakened” the idealism of poet Langston Hughes when he visited the facility in the fall of 1937. Digging deep into the archives to resurface overlooked stories, Watling skillfully traces the motivations that led so many different people to make the extraordinary decision to fight fascism. The result is both an essential take on the Spanish Civil War and a stirring reflection on personal responsibilities in times of crisis.

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  • English

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